"Frost/Nixon," directed by Ken Howard, is an excellent film that I recommend strongly to moviegoers. Though playwright and screenwriter Peter Morgan took plenty of liberties with facts and left out some key participants, the movie is dramatically strong, as was Morgan's original play. The movie benefits from Frank Langella's fine performance as the exiled Richard Nixon, a repeat of Langella's theatrical role, and from sunny location shooting at Nixon's former San Clemente, Calif., estate, La Casa Pacifica.
I was especially eager to see "Frost/Nixon" because I reported for Newsweek on Frost's original dealmaking with Nixon and agent Irving (Swifty) Lazar for the broadcast interviews, and again in the May 9, 1977 issue of Newsweek for a major, eight-page cover story on the production and the content of the broadcasts that were about to begin that week.
I barely remember working on the 1977 story, but re-reading it makes it obvious that colleague Hal Bruno and I interviewed Frost, his key research aides and other insiders to give readers as many tips as possible on what would be in the widely awaited, syndicated telecasts. My files are long gone, except perhaps in Newsweek's New York archives, but the story with its revelations, headlined "Nixon Speaks," still speaks for itself.
In return for Frost giving Newsweek some juicy leaks on the highlights of the shows, especially those relating to Watergate, the magazine splashed the Nixon/Frost story big and no doubt contributed to the broadcasts' high ratings and profits (profits shared with Nixon by contract). Newsweek on its own obtained some newsy Nixon Watergate tapes that had never been made public by Watergate special prosecutor Leon Jaworski.
I wouldn't be surprised if parts of the Newsweek package were used in the screenplay. For example, on leaving for the last time the Monarch Bay, Calif., home where the 11 days of interviews were taped, the socially inept Nixon is seen in the movie awkwardly asking a woman bystander with a dog if the animal was "called a dachshund," then stiffly petting the dog. Newsweek had that detail at the time.
The script and Newsweek also track in their accounts of how the shrewd Nixon got the upper hand in early interviews, to the frustration of Frost's side, only to climactically melt down into a near-admission of wrongdoing and regret after Frost finally got more prosecutorial. That moment of sweaty candor gave Frost the TV moment he wanted, and Hollywood's Ron Howard does a good job of showing the triumph in Frost's eyes through actor Michael Sheen.
While I have little recollection of my reporting, I do remember becoming acquainted later on with one figure in the movie, Frost's British girlfriend, Caroline Cushing, who is played by Rebecca Hall. After her five-year relationship with Frost broke up, the very bright and beautiful Ms Cushing eventually married Bill Graham, a son of my big boss, the late Newsweek and Washington Post publisher Katharine (Kay) Graham. The smashing Ms Cushing was even more impressive in real life than actress Hall is in the film.